We spoke to publishing expert Jane Friedman about her vast experience with digital media strategy, her work with writers and The Hot Sheet, her new publishing newsletter for authors.
Alejandra Rodriguez Creixell was an intern at whitefox and a Publishing MA student at UCL. She is currently designing a booklet for Waterstones Gower Street and searching for a job in publishing or marketing. Here she shares some key findings from her MA research on publishers’ websites and their effectiveness.
We talked to Douglas Wight, co-author (with Jennifer Wiley) of Hot Right Now: The Definitive Biography of Rita Ora about the book that he created and brought to market in less than 3 months, his curiosity surrounding pop culture and his thoughts on a possible new model for self-publishing.
whitefox were recently involved in the publication of an unauthorised biography of chart-topping singer and X-Factor judge Rita Ora.
Authors Douglas Wight and Jennifer Wiley came to whitefox while they were deliberating how to publish their book. After researching and writing the book, they were in the unusual situation of securing a serial deal with a national newspaper before they had a publisher in place. They had interest from publishers and a concrete offer but for a variety of reasons the traditional route didn’t appeal to them on this occasion. Wight approached whitefox and in a matter of weeks Hot Right Now, A Definitive Biography of Rita Ora was being sold on Amazon and in WHSmiths nationwide.
Dan Holloway writes for the Guardian Books Blog, is the co-author of the Alliance of Independent Authors’ book Opening Up to Indie Authors, is a poet and self-published author. We asked him to tell us about his 6 years experience in self-publishing.
There’s so much talk at the moment about the growing freelancer economy, the pluses and pitfalls of going solo, that it isn’t always easy to differentiate between the reality and the myths of striking out on your own. So to try and understand what it is really like, whitefox has been talking to Jill Sawyer. Jill has been freelance for 3 years, working as an editor, typesetter and project manager for a number of individual and company clients. Previously, she worked at DK and Scholastic.
We spoke to Jeremy Thomas, author of The Santa Monica Suicide Club, about the difference between writing fiction and non-fiction and his advice for his fellow authors.
You would had to have been on a long vacation from planet publishing not to be aware of the high profile success stories in and around indie publishing from the last few years. Hugh Howey. Joanna Penn. Amanda Hocking. No matter which routes to market they have ended up taking, these are the often-quoted big beasts, the patron saints of DIY.