We spoke to Ali Albazaz, CEO and founder of Inkitt, a data-driven publisher that uses an artificially intelligent algorithm to analyse online users’ reading patterns. With a background in computer science, Ali believes predictive analysis has the potential to make the publishing industry more fair and objective. We asked him about how he came to form his company with designer Linda Gavin, the value of data in book agenting and how they built up the site’s core audience and readership.
We asked trusted whitefox freelancer (and Unsung Hero of Publishing for 2016) David Brimble for an abridged overview of what has changed in book production technology since he began his career. Read on to find out exactly how digital made working remotely as a production specialist possible.
We asked whitefox freelancer Becky Miles to share some of her editorial project management expertise. Whether you are in a project management role or not, applying these tips to your working life will make all the difference! Becky has over 20 years experience working at publishing houses in the UK and abroad.
We asked whitefox freelancer Emma Graves to share some pieces of advice for aspiring cover designers. She has a decade’s worth of experience working in-house in traditional publishing and has hundreds of commercial covers under her belt.
We asked longtime whitefox freelancer Jill Sawyer for some practical typesetting tips. Read on for advice from an industry veteran with a sturdy knowledge of the editorial and design aspects of publishing – a reliable resource for anyone who wants to begin a freelance typesetting career.
Last month, we profiled a series of publishing freelancers and literary scenes thriving outside the pre-established centres of London and New York. London’s publishing industry, as evidenced by Stephen Page’s call to action at Derby University last month, is becoming increasingly aware of the need for an industry less concentrated in certain locations and on a certain demographic of people.
We interviewed Helen Coyle, a ghostwriter and editor living in Buenos Aires. She has seven years’ experience of freelancing for publishers including Hodder & Stoughton, Penguin, Sceptre, Canongate and Hutchinson. She is the co-author of two New York Times number two bestsellers and has edited numerous UK bestsellers in practically every genre from literary fiction to self-help. She specialises in structural editing, and loves mentoring authors.
We spoke to Becky Crook, a writer and literary translator of Norwegian and German novels into English. She has a degree in Linguistics from Seattle Pacific University. In 2010 she founded SAND, a biannual English literary journal in Berlin, now in its 6th year. After moving to the Netherlands in 2012, she began working primarily as a literary translator, editor and creative project manager. Her family moved again in 2014 to the pacific northwest in the U.S., where she has continued translations while writing her first novel. She lives on Bainbridge Island with her husband and young daughter.
Sophie Davies has worked in writing and editing roles at Thomson Reuters and the British Museum, among others. In 2013, she went freelance upon moving abroad, settling first in Buenos Aires, then in Rio de Janeiro. She has provided freelance editorial services including editing and copywriting to a number of clients, and has also written for a diverse selection of media from South America, including The Economist, the Thomson Reuters Foundation, S&P Global Market Intelligence and The Art Newspaper. She also edits an independent arts and culture magazine called The Kurios.