In five years of running whitefox, here are some of the key things we’ve concluded that seem to matter most to both publishers and freelancers.
Amanda Scope is an Austrian-born graphic designer, with over 15 years experience in magazine and book publishing, She has designed covers and layouts for various lifestyle and fashion magazines, anthologies and trade books. We spoke to Amanda about the difference between working on self-published and traditionally published books, whether or not you need a degree to work in print design and the most gratifying aspect of her job.
We spoke to Charles Thiede, co-founder of Zapnito, a platform where individuals can leverage a comprehensive network of experts and influencers. We spoke to Charles about setting up the company, working with publishers and the upside to rejection.
We spoke to Ali Albazaz, CEO and founder of Inkitt, a data-driven publisher that uses an artificially intelligent algorithm to analyse online users’ reading patterns. With a background in computer science, Ali believes predictive analysis has the potential to make the publishing industry more fair and objective. We asked him about how he came to form his company with designer Linda Gavin, the value of data in book agenting and how they built up the site’s core audience and readership.
We asked trusted whitefox freelancer (and Unsung Hero of Publishing for 2016) David Brimble for an abridged overview of what has changed in book production technology since he began his career. Read on to find out exactly how digital made working remotely as a production specialist possible.
Last month, we profiled a series of publishing freelancers and literary scenes thriving outside the pre-established centres of London and New York. London’s publishing industry, as evidenced by Stephen Page’s call to action at Derby University last month, is becoming increasingly aware of the need for an industry less concentrated in certain locations and on a certain demographic of people.