Hannah Sheppard is a Branford Boase Award-nominated editor who has worked in trade publishing for fifteen years. She started her career at Macmillan Children’s books before moving to Headline Publishing Group to run the YA and crossover list, where she published Tanya Byrne’s Heart-Shaped Bruise, Jennifer E. Smith’s The Statistical Probability of Love at First Sight and Julianna Baggott’s Pure trilogy. She is now a literary agent with the D H H Literary Agency, representing authors such as Abi Elphinstone and Keris Stainton.
Julie Scheina is a freelance editor of children’s and young adult fiction. As Senior Editor at Little, Brown Books for Young Readers, she worked with talented authors and artists on books for ages 0–18+. Since founding Julie Scheina Editorial Services, she has collaborated with debut and bestselling authors, as well as publishers, packagers, and agents. During her career, she has edited numerous acclaimed and bestselling books for children and teens, including #1 New York Times bestsellers, a Lamda Literary Award finalist, a William C. Morris Young Adult Debut Award finalist, and an Andre Norton Award for Young Adult Science Fiction and Fantasy nominee.
Karen Ball has over 25 years’ experience of the publishing industry. Her career includes periods as Head of Editorial at Working Partners and Publisher at Little, Brown Books For Young Readers. In September 2016 she launched Speckled Pen, a creative consultancy aimed at helping content generators develop publisher-facing projects. Together with three industry friends, she organises the Book Bound writers’ retreat, aimed at children’s authors.
Laura Nickoll a freelance project manager and editor, specialising in non-fiction food, cookery and lifestyle illustrated titles and TV tie-ins. A member of the Guild of Food Writers, her recent contributions include restaurant reviews and chef biographies for the Where Chefs Eat series and Where to Eat Pizza (Phaidon Press). She has over 15 years’ experience in the publishing business and has worked with numerous high-profile authors and production companies, including Rachel Allen, Mary Berry, Annabel Karmel, the BBC, Neal Street Productions, and Masterchef. She launched her publishing services business in 2011, and clients include Hardie Grant, Ebury, HarperCollins, Bluebird (Macmillan), Phaidon Press, Simon & Schuster, and Orion.
Anna Steadman is Assistant Editor at Fig Tree, an imprint of Penguin Random House that publishes fiction, nonfiction and some illustrated cookery titles. Before joining Penguin, she worked at literary agency Lutyens & Rubinstein.
Chris Wold is the Associate Publisher of Nourish, the food and drink imprint of Watkins Publishing. A champion of international markets for the last 20 years, he has made a career of using licensing, co-editions and proprietary sales to find new markets for the books and authors on his lists. His latest project, The Really Quite Good British Cookbook, publishes this month, having been discovered over a chance conversation at last year’s London Book Fair.
We’re delighted to share these tips from Janice Rayment, who has been indexing for over five years. Before she started indexing, she worked in finance, and later in the horticultural industry. She creates both standalone and embedded indexes (principally in Adobe InDesign). Janice is currently Vice Chair and Finance Director for the Society of Indexers.
Do you have a friend or loved one nearing the end of their writing project? Are you yourself in the editing stages of your novel?
We’ve teamed up with some of our most experienced editors to offer you the opportunity to buy an Editorial Report this Christmas.
Unsung Heroes 2017 It’s that time of year again: time to spread goodwill and show some appreciation for your favourite colleagues, freelancers and employees. After last year’s inaugural vote, we […]