Roz Morris published nearly a dozen novels and achieved sales of more than 4 million copies – and nobody saw her name because she was a ghostwriter. She is now proudly selfpublishing as herself with two acclaimed literary novels My Memories of a Future Life and Lifeform Three. She has also been a writing coach, editor and mentor for more than 20 years with award-winning authors among her clients. We asked Roz about the challenges of her unique path to success.
We asked Emma Barnes, Founder & CEO of Bibliocloud and MD of Snowbooks, some questions on Bibliocloud, programming and entrepreneurship in publishing.
Rufus is Editor, New Writing at Curtis Brown Creative. A former travel, food and lifestyle journalist, Rufus’s work has been published in The Times, The Guardian, The Observer, The Financial Times, Condé Nast Traveller and The Sunday Times Travel Magazine, among others.
Everyone loves a good disintermediation story. So, we read, writers have suddenly started to bypass agents in order to find the latest bestseller. The truth as we all know is that such dances started to be choreographed some while back. In 2008, Harper Collins UK launched the Authonomy community site, encouraging writers to upload their manuscript and expose it to peer review. The objective was to “ beat the slush “ with the promise that editors would review manuscripts which critiqued well on the platform.
Paula Hawkins The Girl on the Train has broken through. It is and will continue to be a global publishing phenomenon this year. It’s terrific. But then lots of books are. Why this one? Is it as simple as people are looking for the next thriller with Girl in the title?
There’s more to self publishing than just writing the book. Promotion is almost as important as putting pen to paper, but many authors don’t know where to start. Luckily there are a few relatively simple tricks you can employ to give your book a better shot at commercial success. […]